Collected Fragments is a group of mixed media works (with the focus being on clay) by ceramicists Catherine Morgan and Victoria Miener.

The St. Louis Artists’ Guild presents work by artisans that created 3D or 2D contemporary fine craft or sculpture that highlight process-driven methods. The artistic products are either functional or nonfunctional, and the process, technique, and material all align with the intent or content of each piece.

This exhibit showcases reproductions of the work of Missouri’s first known woman artist, Anna Maria von Phul. Her artwork illustrates life in the Missouri Territory during the 1810s and 1820s, including the people, culture, architecture, and landscape of early St. Louis.

The International Photography Hall of Fame and Museum (IPHF) held a juried international photography contest collecting submissions from talented artists from all around the world. IPHF is dedicated to honoring excellence in photography through its Hall of Fame and with exhibitions and this exhibition continues that tradition showcasing outstanding works of varying styles and genres.

The photographs in the Silver Seas: An Odyssey exhibit are an extraordinary result of an exceptional career. Ernest H. Brooks II, often referred to as the Ansel Adams of underwater photography, spent some 40 years documenting the world’s ocean environments. Brooks’ photographs provide a view into an underwater world that most people will never experience.

Students Lucas Dotson, Kyra Jacoby, Logan Mulch, and Thalia Wolfmeyer all acted as guest curators and selected pieces from the Quincy Art Center’s Permanent Collection around the theme of Movement.

The Duane Reed Gallery invites you to the 2022 Small Works Invitational: a new exhibition inspired by the wealth of talent working in the St. Louis regional area. The show welcomes over 60 artists each interpreting one simple prompt: work fitting within a 14” x 14” square. Invited artists range from up-and-coming talent to well-established experts deep into their career.

Ann draws inspiration from nature, clouds, and the universe to express feelings of joy, peace, divine grace, and hope. Using numerous layers of transparent glazes, she uses the sky as a vehicle to express her relationship with God. After a storm when the light emanates from behind the clouds, she sees this as God’s Grace.

Jasmine Raskas is a visual artist in St. Louis, Missouri. This solo exhibition featuring paint, sculpture, and assemblage explores patterns found in natural growth, form, and collective systems and the mathematical rules that govern the emergence of physical structures and information-based systems.

The St. Louis Artists’ Guild is proud to present New Perspectives in Drawing and Painting, juried by Lizzy Martinez drawing and painting faculty at the University of Missouri St. Louis. The exhibit presents 42 national artists working in contemporary drawing and painting techniques.

Nabil Mousa is an openly gay, Arab-American man originally from Syria, where his sexuality left him vulnerable to harassment and victimization. Channeling this sense of abandonment and rejection into his work as an interdisciplinary artist, Mousa has spent his entire career creating very personal, powerful installations and artwork.

Don Sahli: An Act of Color: Sahli’s work is represented by galleries across the country and in private collections nationally and internationally. Known for his use of paint; his brushstroke is exciting and carries a positive emotion to the viewer. His work is diverse carrying many labels, plein air, impressionist, colorist, and realist.

The St. Peters Cultural Arts Centre provides a home base for several local arts organizations, gallery space for area artists. Stop by the Cultural Arts Centre to view the galleries filled with the original artwork. The Botanical Gardens Art Show is an exhibit of pieces that were inspired by the flowers, herbs, leaves, and plants that exist around the artists.

In 1977, the Quinsippi Needleworkers was established and has exhibited, volunteered, won awards, and taught classes locally. Group members have also worked on state and national projects in embroidery. This exhibit features works in a variety of needle art techniques, such as crewel, silk and metal threads, counted cross stitch, needlepoint, hardanger, needle weaving, and other techniques.

Parenthood, a multi-media juried exhibit featuring new artworks by 49 St. Louis regional artists from Missouri and Illinois. Parenthood is a visual art exhibition featuring artworks that address, depict or present representations of parenthood in all its myriad forms. From parenting humans or pets to the planet at-large, parenthood means different things to each of us.

U.S. Ambassador James W. Pardew and his wife, Kathy Hoffman Pardew, made a gift of their art collection to the Arkansas State University System Foundation, Inc. The Pardews are natives of Jonesboro, and both attended Arkansas State. Modern art from Bulgaria, where James Pardew served as U.S. Ambassador from 2002-2005, is a central element of the collection.

Kaleidoscopes, The Art Form presents the wide variety of contemporary kaleidoscopes and kaleidoscope-inspired work created by artists from across the globe. The Brewster Kaleidoscope Society is a multi-national member group of artists who design and create kaleidoscopes, the galleries and shops that sell kaleidoscopes, and the collectors and museums that appreciate and enjoy them.

Crystal Queer is an installation that reimagines the definition of queering as a disorientation of visual and conceptual cohesion. Crystal Queer’s accumulation of fragments, quotes, and definitions aim to create a space of perpetual flux and transmutation in meaning and reinterpretation.

With an overarching interest in the possibilities of visual narratives, Chitra Ganesh draws on Buddhist and Hindu iconography, science fiction, queer theory, comics, Surrealism, Bollywood posters, and video games, combining them with her own visual imagery and drawings to present speculative visions of society in the past, present, and future.

Known for her evocative videos and multimedia installations, California-based artist and filmmaker Nicole Miller frequently addresses themes such as race, translation, and the politics of representation. This exhibit explores and expands an understanding of synesthesia as it relates to the Black experience in the United States through a choreography of sound, moving image, and laser-lights.