Take a trip to The Sheldon for family fun this summer. The nine-hole mini golf installation features individually designed holes from artists, designers and architectural practices. Daringly inventive and fiendishly difficult, test your golfing skills to see how fast you can make it around the course!

The exhibition will feature 20 Artists First artists, highlighting their passion and dedication to their art. Some of the artists have been involved with Artists First for over 10 years and consider the studio their haven. Each featured artist has a unique story to tell.

The Quilt Extravaganza will be displayed in the Rosemary Berkel and Harry L. Crisp II Museum at Southeast Missouri State University’s River Campus. This display will incorporate antique to modern quilts, decor items, some antique sewing machines and tools of the trade. The use of design and color will delight viewers of all ages. These quilts each have their own story.

Inside Out and All Throughout is the Foundry Art Center's new studio artist exhibit, featuring the ceramic works of Jessie Schoenrock. This assortment of three-dimensional pieces examines therapy as a concept and as a means of personal growth and exploration.

For the 100th Anniversary Exhibit - Reflect on the Past, Engage with the Present, and Imagine the Future area artists were asked to join the Quincy Art Center in celebrating 100 years of exhibiting local & regional artists and creating artwork. They were invited to share and create art for their community to experience. All responses to the theme were welcome. All art mediums were welcome.

Organized by the American Federation of Arts and the Fisk University Galleries, African Modernism in America is the first major traveling exhibition to examine the complex connections between African artists and American patrons, artists, and cultural organizations amid the interlocking histories of civil rights, decolonization, and the Cold War.

This juried exhibit showcases the talents of Artists Informed by Time -- artists aged 70+ -- who, by making art, share their thoughts & ideas about the world and themselves with us. Artworks featured in this multi-media exhibit address myriad subjects and themes and are created in a wide array of styles, artistic techniques, and media.

The St. Peters Cultural Arts Centre provides a home base for several local arts organizations, gallery space for area artists. Stop by the Cultural Arts Centre to view the galleries filled with the original artwork. As spring approaches and the snow melts, this art show will capture the feeling of Wonder.

Christine Ilewski’s studio work is primarily acrylic with multiple mixed media elements. She describes her current work: Landscape has often been the background to her work but now it centers on herself: a place of reflection, a still point from which everything else revolves bubbling up from a subconscious stream of physical and emotional relationships.

Art represents the moods of our souls, from darkness to light. It examines the human spirit and inspires creators and those who interact with the creation. The 'making' process may reflect on an inner journey, narratives, and symbolism that transform into creative epiphanies and spiritual connections - imbuing the object with unseen powers to touch our souls.

Ronald Young's multi-disciplinary art installation explores the concept of The Power Object, the spiritual Belief that all objects in nature have a soul. Young seeks to incorporate the West African diasporic traditions of masks, sculpture, ancestry figures, and Nkisi n Kondi.

Steven Young Lee has been the resident artist director of the Archie Bray Foundation for the Ceramic Arts in Helena, Montana since 2006. His current work examines cultural references and how individuals draw realities based on experience and environment. Through his sculpture and vessels, he challenges preconceptions of style, form, symbolism, superstitions, and identity.

Myths & Allegories pairs two St. Louis-based artists - Travis Lawrence & Elizabeth Madden - working in very different media to create bodies of work that share an interest in symbolism and allegory, as well as a deep commitment to process.

St. Louis is a kaleidoscope of architecture, filled with structures of every age, shape, and size. In Coloring STL, visitors can interact with these fascinating buildings in a way they never have before - by coloring them, right on the walls. This interactive exhibit delves into the stories of more than 50 local structures, all of them waiting to be filled with color.

Mirroring the expansive nature of the Museum’s collection, recently acquired works on paper represent a wide variety of media and cultures and span 500 years, from an early 16th-century woodcut to a digital work created in a virtual platform from 2017 by the Indigenous artist Skawennati. New to the Museum: Prints, Drawings, and Photographs will showcase many of these rare and fascinating works.

Offering a fresh view of two of the most experimental painters of the 20th century, Monet/Mitchell: Painting the French Landscape is the first exhibition in the United States to examine the complex dialogue between the work of the French Impressionist Claude Monet and the American Abstract Expressionist Joan Mitchell.

CAM celebrates the five-year milestone of its ArtReach program, a year-round partnership that provides weekly art classes to local high school students. Since 2017, CAM has worked with Vashon High School and in 2021 CAM expanded its ArtReach Partnership program to include the Sumner High School. Artwork from both schools’ fall 2022 semester is featured in CAM’s Education Galleries this spring.

CAM’s partnership with Creative Reaction Lab (CRXLAB) is celebrated in the Education Galleries this season with two presentations. From March through May, CAM will display a selection of posters created by young Black and Latinx designers and artists who participated in CRXLAB’s Artwork for Equity program.

This exhibition maps conceptual artist Jacolby Satterwhite’s extraordinary creative trajectory across multiple materials, genres, and modes of thinking. Drawing on a broad set of real and fantastical references and diverse influences that include modernism, video gaming, queer theory, mythology, and Black culture, Satterwhite creates digital worlds of resilience, reinvention, and celebration.

What does it take to make a work of art? What are its environmental impacts? How does the natural world shape artistic practices? And what did this mean in the Middle Ages? With nearly fifty sculptures, textiles, and books made between 1100 and 1550 CE, The Nature of Things highlights the links between artmaking and the environment in the later medieval era.